Archive for the ‘Canon EOS 5D Mark II’ Category

Swift River Cruiser exuvia

April 25, 2018

A late-stage emergent teneral female Swift River Cruiser dragonfly (Macromia illinoiensis) was spotted on 27 May 2017 along the Potomac River at Riverbend Park in Fairfax County, Virginia USA. The exuvia was collected, with permission from park staff, after the female flew away from the place where she metamorphosed from a nymph to an adult.

No. 1 | 27 MAY 2017 | Riverbend Park | Swift River Cruiser (female)

The next image is a composite of 35 photos. The specimen is perfectly in focus from head-to-tail, including the legs.

The last image is a composite of eight photos. The focus point for each photo in the set is limited to the body only. Surprisingly, all six legs are acceptably in focus except for the tip of the left hind leg.

The official early-date for Swift River Cruiser dragonfly is 08 May in the Commonwealth of Virginia. Since the early-date for Royal River Cruiser dragonfly (Macromia taeniolata) is 15 May, the exuvia helps to confirm the identity of the adult is Swift River Cruiser. 10 October is the late-date for both species.

Tech Tips

Photo No. 1 was taken using my Panasonic Lumix DMC-FZ150 superzoom bridge camera plus Canon 580EX Speedlite, my go-to kit for photowalking.

The following equipment was used to shoot Photo No. 2 and 3: Canon EOS 5D Mark II digital camera, in manual mode; Kenko 20mm macro automatic extension tubeCanon EF100mm f/2.8L Macro lens (set for manual focus); Canon MT-26EX-RT Macro Twin Lite set for “Master” mode, and Canon 580 EX- and Canon 580EX II Speedlites set for “Slave” mode.

Photo No. 2-3 are focus-stacked composite images created using Adobe Photoshop CC 2017.

Related Resource: Swift River Cruiser (emergent female).

Copyright © 2018 Walter Sanford. All rights reserved.

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Another focus stacking face-off

April 19, 2018

Here’s another face-off between a single macro photo and a focus-stacked composite image. Let’s start with the composite image this time.

The first example is a composite image created from 14 photos.

In a recent blog post, I wrote…

My goal is to shoot the fewest number of photos (using a relatively small aperture such as f/18) that will show the entire specimen in focus when the photo set is focus-stacked to create a composite image. Source Credit: More Calico Pennant exuvia composite images.

I used to shoot several photos of a single focus point, e.g., the prementum, and select the sharpest image for editing/focus stacking. Now I’m using a wider aperture such as either f/11 or f/8 (for sharpness), shooting more photos, and using every photo that I take. My rationale is simple: A single photo may not be the sharpest photo of a single focus point, but it probably shows other areas that are in focus. In this case, I think more “raw material” is better than less.

The last example is one of the better photos from the set of 14. When you click on the images they open in a new tab automatically. Toggle back-and-forth between tabs and I think you will agree the composite image is clearly better than the following single photo.

The Backstory

An American Rubyspot damselfly (Hetaerina americananymph was collected by Bob Perkins on 06 August 2017 along the New River in Grayson County, Virginia USA. The nymph was reared in captivity, albeit briefly, until it emerged on 09 August 2017.

Copyright © 2018 Walter Sanford. All rights reserved.

Why focus stack macro photos?

April 17, 2018

Why focus stack macro photos? The answer is obvious: The difference between a single macro photo and a focus-stacked composite image is like night and day.

The first example is one of the better photos from a set of 13. It is the same photo that is featured in Hetaerina americana exuvia, my identification guide for American Rubyspot damselfly exuviae.

The last example is a composite image created using all 13 photos in the set.

You may not notice the difference in quality unless you look at the full-size version of both images. When you click on the images they open in a new tab automatically. Toggle back-and-forth between tabs and I think you will agree the composite image is clearly better than the single photo.

The Backstory

An American Rubyspot damselfly (Hetaerina americananymph was collected by Bob Perkins on 06 August 2017 along the New River in Grayson County, Virginia USA. The nymph was reared in captivity, albeit briefly, until it emerged on 09 August 2017.

Copyright © 2018 Walter Sanford. All rights reserved.

Post update: Phanogomphus lividus exuvia

April 13, 2018

Phanogomphus lividus exuvia, my identification guide for Ashy Clubtail exuviae, was updated to feature two new annotated high-magnification macro composite images.

  • Photo No. 1: The specimen was rehydrated/relaxed in order to reposition the front legs for an unobstructed view of the prementum, especially the median lobe of the labium.
  • Photo No. 2: A close-up view of the anal pyramid (terminal appendages) verified the “superior caudal appendage (epiproct) is as long as inferiors (paraprocts).”

The first image is a composite of six photos that shows a ventral view of the prementum.

Editor’s Note: Sincere thanks to Sue and John Gregoire for guiding me to the location of the median lobe.

The last image is a composite of 15 photos that shows a dorsal view of the abdomen; the inset image is a selection from a composite of 10 photos that shows a ventral view of the anal pyramid.

No. 2 | Ashy Clubtail (Phanogomphus lividus) | exuvia (anal pyramid)

The Backstory

An Ashy Clubtail dragonfly (Phanogomphus lividusnymph was collected by Bob Perkins. (The date and location where the specimen was collected are unknown.) The nymph was reared in captivity until it emerged on 21 March 2017 and metamorphosed into an adult female. This specimen is the exuvia from the nymph. P. lividus is a member of the Family Gomphidae (Clubtails).

Tech Tips

The following equipment was used to shoot all of the photos for the preceding composite images: Canon EOS 5D Mark II digital camera, in manual mode; Canon MP-E 65mm Macro lens (manual focus only, set for f/8 at either 2x or ~3x magnification); Canon MT-26EX-RT Macro Twin Lite set for “Master” mode; and Canon 580 EX- and Canon 580EX II Speedlites in “Slave” mode.

Adobe Photoshop CC 2017 was used to create the composite image by “round-tripping” with Apple Aperture.

Copyright © 2018 Walter Sanford. All rights reserved.

P. lividus prementum

April 11, 2018

The following image shows a composite of six photos of the prementum for an Ashy Clubtail dragonfly (Phanogomphus lividus) exuvia. The composite is one of at least two new images that will be annotated and used to update Phanogomphus lividus exuvia, my identification guide for Ashy Clubtail exuviae.

The Backstory

An Ashy Clubtail dragonfly (Phanogomphus lividusnymph was collected by Bob Perkins. (The date and location where the specimen was collected are unknown.) The nymph was reared in captivity until it emerged on 21 March 2017 and metamorphosed into an adult female. This specimen is the exuvia from the nymph. P. lividus is a member of the Family Gomphidae (Clubtails).

Tech Tips

The following equipment was used to shoot all of the photos for the preceding composite image: Canon EOS 5D Mark II digital camera, in manual mode; Canon MP-E 65mm Macro lens (manual focus only, set for f/8 at ~3x magnification); Canon MT-26EX-RT Macro Twin Lite set for “Master” mode; and Canon 580 EX- and Canon 580EX II Speedlites in “Slave” mode.

Adobe Photoshop CC 2017 was used to create the composite image by “round-tripping” with Apple Aperture.

Copyright © 2018 Walter Sanford. All rights reserved.

More Calico Pennant exuvia composite images

April 9, 2018

The Backstory

Calico Pennant dragonfly (Celithemis elisa) evuvia was collected by Sue and John Gregoire at Kestrel Haven Migration Observatory. For the last 13 years, Sue and John have closely monitored the annual emergence of a large population of C. elisa at their farm pond.

The preceding image is a composite of 12 photos; the following image is a composite of 10 photos. My goal is to shoot the fewest number of photos (using a relatively small aperture such as f/18) that will show the entire specimen in focus when the photo set is focus-stacked to create a composite image. The number of photos required for each composite image varies depending upon the f/stop and the subject, among other factors.

Tech Tips

The following equipment was used to shoot all of the photos for both composite images: Canon EOS 5D Mark II digital camera, in manual mode; Kenko 20mm macro automatic extension tubeCanon EF100mm f/2.8L Macro lens (set for manual focus); Canon MT-26EX-RT Macro Twin Lite set for “Master” mode; and Canon 580 EX- and Canon 580EX II Speedlites in “Slave” mode.

Adobe Photoshop CC 2017 was used to create the composite image by “round-tripping” with Apple Aperture.

Copyright © 2018 Walter Sanford. All rights reserved.

Calico Pennant exuvia composite image

April 7, 2018

Sometime during the late 50s or early 60s, my father bought a new car. That was a big deal in our family. My family was poor, although I didn’t realize it when I was a young boy. We couldn’t afford a new car very often. Anyway, I don’t remember many details about the car other than it was a sky blue Plymouth with tail fins. Big tail fins! For some reason, the following odonate exuvia reminds me of the tail fins on my father’s Plymouth automobile. Go figure.

The Backstory

A Calico Pennant dragonfly (Celithemis elisa) evuvia was collected by Sue and John Gregoire at Kestrel Haven Migration Observatory. For the last 13 years, Sue and John have closely monitored the annual emergence of a large population of C. elisa at their farm pond.

Tech Tips

The preceding image is a composite of 11 photos taken using the following equipment: Canon EOS 5D Mark II digital camera, in manual mode; Kenko 20mm macro automatic extension tubeCanon EF100mm f/2.8L Macro lens (set for manual focus); Canon MT-26EX-RT Macro Twin Lite set for “Master” mode; and Canon 580 EX- and Canon 580EX II Speedlites in “Slave” mode.

Adobe Photoshop CC 2017 was used to create the composite image by “round-tripping” with Apple Aperture, including a few detours in my experimental workflow. I made a lot of mistakes along the way. For example, I was so focused on the technical side of the photoshoot that I never noticed the specimen isn’t posed well. (I wish there were some space between the front leg and the face mask.) Nonetheless, I think the final output turned out OK.

Copyright © 2018 Walter Sanford. All rights reserved.

Phanogomphus lividus exuvia

April 5, 2018

The Backstory

An Ashy Clubtail dragonfly (Phanogomphus lividusnymph was collected by Bob Perkins. (The date and location where the specimen was collected are unknown.) The nymph was reared in captivity until it emerged on 21 March 2017 and metamorphosed into an adult female. This specimen is the exuvia from the nymph. P. lividus is a member of the Family Gomphidae (Clubtails).

A two-step process was used to verify the identity of the exuvia.

  1. Determine the family.
  2. Determine the genus and species.

Step 1. Family

First, determine the family of the specimen. For reference, watch the excellent Vimeo video Identifying dragonfly larva to family (8:06). Here’s the decision tree used to identify the exuvia as a member of the Family Gomphidae (Clubtails).

  • The specimen has a flat labium that doesn’t cover the face (not mask-like), as shown in Photo No. 1 and 3.
  • Antennae are club-like (not thin and thread-like, as in  Aeshnidae larvae), as shown in Photo No. 1.

It’s simple and straightforward to recognize this specimen is a clubtail.

No. 1 | Ashy Clubtail (Phanogomphus lividus) | exuvia (face-head)

Step 2. Genus and species

Lateral spines are present on abdominal segments six through nine (S6-S9).

The superior caudal appendage (epiproct) is as long as inferiors (paraprocts), as shown in Photo No. 4. The view of the terminal appendages is still slightly obscured by debris after the specimen was cleaned, making it challenging to distinguish the cerci from the paraprocts. Nonetheless, the epiproct and paraprocts appear to be nearly the same length.

The median lobe of the labium (prementum) is straight-edged, as shown in Photo No. 5.

After emergence

The next photograph shows the Ashy Clubtail dragonfly after emergence from one of Bob Perkins‘ holding tanks. Phanogomphus lividus is 48-56 mm in total length (Paulson, 2011).

Image used with permission from Bob Perkins.

This individual is a female, as indicated by its rounded hind wings and terminal appendages.

Image used with permission from Bob Perkins.

Related Resource

The dichotomous key for Gomphus (now Phanogomphus) that appears on p. 20 in Identification Keys to Northeastern Anisoptera Larvae, compiled by Ken Soltesz, was used to attempt to verify the genus and species of the exuvia. Markers that match this specimen are highlighted in boldface green text. Three boldface green asterisks (***) are used to highlight the thread for identification of P. lividus. Disclaimers are highlighted in boldface red text.

1a. Lateral spines on abdominal segments 7 to 9 (very minute if present on 6). [2]
***1b. Lateral spines on abdominal segments 6 to 9 well developed. [3]

3a. Superior caudal appendage (epiproct) shorter than inferiors (paraprocts); Teeth on lateral lobes of labium obsolete or poorly developed. [quadricolor]
***3b. Superior caudal appendage (epiproct) as long as inferiors (paraprocts); Teeth on lateral lobes of labium well developed. [4]

***4a. Median lobe of labium straight-edged. [lividus]
4b. Median lobe of labium convex-edged. [5]


Note: The weakest aspect of this key is couplet 4, as it applies to Gomphus descriptus [Harpoon Clubtail], the difference in the “convexity” of the median lobe between lividus and descriptus being very slight and difficult to discern in practice. Donnelly (pers. comm.) has found that, at least with New York specimens, the posterior narrowing of the median lobe of the labium is more abrupt in livid, and relatively gradual in descriptus. Also, the labial teeth are better developed in livid than in descriptus. These characters are so relative that any unknown suspected of being either of these species should be compared to reference specimens.

Tech Tips

The following equipment was used to shoot Photo No. 2 and 3: Canon EOS 5D Mark II digital camera, in manual mode; Kenko 20mm macro automatic extension tubeCanon EF100mm f/2.8L Macro lens (set for manual focus); Canon MT-26EX-RT Macro Twin Lite set for “Master” mode, and Canon 580 EX- and Canon 580EX II Speedlites set for “Slave” mode. Photo No. 1, 4, and 5Canon MP-E 65mm Macro lens (manual focus only, set for either 2x or 3x magnification) plus the multiple-flash setup.

Photo No. 1-3 are focus-stacked composite images created and annotated using Adobe Photoshop CC 2017.

Bob Perkins’ photos were shot using a Canon EOS Rebel T3i camera body and Canon EF-S 60mm macro lens.

Copyright © 2018 Walter Sanford. All rights reserved.

Refinements in focus stacking workflow

April 3, 2018

By trial and error, I’m slowly refining the workflow that I use to create focus-stacked composite images. My goal is maximizing efficiency while minimizing unexpected results. I’m planning to publish a step-by-step “how to” tutorial after my workflow is honed to perfection. Hah! I’m not sure that’s attainable, but I’m working on it.

In the meantime, here are two more composite images created using the latest refinements in my focus stacking workflow.

Both composite images were created from three photos: one focused on the head/prementum; another focused on the middorsal body; and the last focused on the anal pyramid (terminal appendages).

I started using the High Pass filter in Photoshop to sharpen images and I am pleased with the results.

Sharpening doesn’t fix out-of-focus areas, such as the far hind leg in both images. I’m not sure what the “sweet spot” is for the Canon 100mm macro lens; the consensus seems to be photos are sharpest at f/8. I shoot at f/22 for single images with one focus point. I have been testing f/18 for the two- and three-photo focus stacks published recently, but as you can see, I should probably add a fourth photo focused on the farthest part of the subject.

The Backstory

An Ashy Clubtail dragonfly (Phanogomphus lividusnymph was collected by Bob Perkins. (The date and location where the specimen was collected are unknown.) The nymph was reared in captivity until it emerged on 21 March 2017 and metamorphosed into an adult female. This specimen is the exuviafrom the nymph. P. lividus is a member of the Family Gomphidae (Clubtails).

Tech Tips

The following equipment was used to shoot all three photos in the composite image: Canon EOS 5D Mark II digital camera, in manual mode; Kenko 20mm macro automatic extension tubeCanon EF100mm f/2.8L Macro lens (set for manual focus); Canon MT-26EX-RT Macro Twin Lite set for “Master” mode; and Canon 580 EX- and Canon 580EX II Speedlites in “Slave” mode.

Adobe Photoshop CC 2017 was used to create the composite images by “round-tripping” with Apple Aperture. Although the round-trip has a few detours in my experimental workflow, there are fewer unpleasant surprises along the way. Worth the extra steps, in my opinion.

Copyright © 2018 Walter Sanford. All rights reserved.

Ashy Clubtail dorsal view composite

April 1, 2018

One look at the unusual filename of the following image, and you know it’s a composite of three photos: one focused on the head; another focused on the middorsal body; and the last focused on the anal pyramid (terminal appendages).

The results appear to be worth the extra time and effort to create a high-quality image of a beautiful specimen.

The Backstory

An Ashy Clubtail dragonfly (Phanogomphus lividusnymph was collected by Bob Perkins. (The date and location where the specimen was collected are unknown.) The nymph was reared in captivity until it emerged on 21 March 2017 and metamorphosed into an adult female. This specimen is the exuviafrom the nymph. P. lividus is a member of the Family Gomphidae (Clubtails).

Tech Tips

The following equipment was used to shoot all three photos in the composite image: Canon EOS 5D Mark II digital camera, in manual mode; Kenko 20mm macro automatic extension tubeCanon EF100mm f/2.8L Macro lens (set for manual focus); Canon MT-26EX-RT Macro Twin Lite set for “Master” mode; and Canon 580 EX- and Canon 580EX II Speedlites in “Slave” mode.

Adobe Photoshop CC 2017 was used to create the composite image by “round-tripping” with Apple Aperture.

Copyright © 2018 Walter Sanford. All rights reserved.


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