Archive for the ‘Canon MP-E 65mm Macro lens’ Category

Zerene Stacker DOF Calculator

February 21, 2023

The DOF Calculator featured in Zerene Stacker is by far the best tool for determining depth of field and the safe step size for focus bracketing. Rik Littlefield, creator of Zerene Stacker, recently released an online interactive version of DoF Calculator. Sincere thanks to Rik for sharing his expertise!

How to use the calculator

There are several ways to use the DOF Calculator, as shown in the following screen capture. I used two methods to calculate the “safe step size” (with 20% overlap) for focus bracketing with all of my basic macro photography rigs.

Choose Option 1 for the best quality focus stacked composite images. Set the aperture for your camera lens to its “sweet spot.”

Screen capture used with permission from Rik Littlefield.

Choose Option 4 if you are using a microscope objective for a macro lens.

As you can see in following examples, it isn’t necessary to input values for every field in the calculator.

AmScope / Reakway 4x microscope objective

Determining depth of field – safe step size for a 4x microscope objective is the simplest calculation of all my macro photography rigs. All you need to input is the “NA” (numerical aperture) that’s labeled on the side of the microscope objective. In this case, the NA equals 0.10.

Photo Credit: AliExpress / Reakway.

It’s recommended that you use a 20% overlap between steps. Input a value of 0.2 in the field for “Step overlap.”

Screen capture used with permission from Rik Littlefield.

DoF: 0.054862 mm (54.862 microns)
Step size (suggested) at 20% overlap: 0.04389 mm (43.89 microns)

Let’s apply the output from the DOF Calculator (shown above) to my relatively new NiSi Macro [manual] Focusing Rail NM-200. The larger adjustment knob is shown below. One full rotation of the knob moves the carriage one millimeter, or 1,000 micrometers (microns). The knob is marked in 100 increments, so each increment on the knob is 10 microns. Every numbered increment is 100 microns.

For my 4x microscope objective, I would turn the adjustment knob four (4) increments between shots or 40 microns (rounded down from 43.89 microns). It’s OK to use a smaller step size than the DOF Calculator recommends.

Photo Credit: B&H Photo.

Laowa 25mm Ultra Macro (at 2.5x, f/4) plus Fujifilm X-T3

The Laowa 25mm Ultra Macro lens can be set for magnifications ranging from 2.5x to 5x. The following example shows the lens set for 2.5x. Input a magnification of 2.5, and a lens F-number of 4 (an aperture of f/4 is the “sweet spot” for this lens).

Screen capture used with permission from Rik Littlefield.

DoF: 0.068854 mm (68.854 microns)
Step size (suggested) at 20% overlap: 0.055083 mm (58.038 microns)

For the Laowa 25mm Ultra Macro lens, I would turn the adjustment knob on my NiSi NM-200 five increments between shots or 50 microns (rounded down from 58.038 microns).

Fujinon 80mm macro (1x, f/8) plus Fujifilm X-T3

The Fujinon 80mm macro lens is one of the sharper lenses I own. Maximum magnification is 1:1 (life size).

Screen capture used with permission from Rik Littlefield.

DoF: 0.56306 mm (~563 microns) ← remember 1 mm = 1,000 microns
Step size (suggested) at 20% overlap: 0.45045 mm (~45 microns)

Each increment on the NiSi NM-200 manual focus rail is equal to 10 microns. For my Fujinon 80mm macro lens, I would turn the adjustment knob four numbered increments between shots — equal to a distance of 40 microns (rounded down from ~45 microns).

Canon 100mm macro (1x, f/11) plus Canon EOS 5D Mark II

The Canon 100mm macro is another one of the sharper lenses I own. Maximum magnification is 1:1 (life size).

Screen capture used with permission from Rik Littlefield.

DoF: 1.0647 mm (1064.7 microns) ← remember 1 mm = 1,000 microns
Step size (suggested) at 20% overlap: 0.85176 mm (851.76 microns)

Each numbered increment on the NiSi NM-200 manual focus rail is equal to 100 microns. For my Canon 100mm macro lens, I would turn the adjustment knob eight numbered increments between shots — equal to a distance of 800 microns (rounded down from 851.76 microns).

Canon MP-E 65mm macro lens (1-5x) plus Canon 5D Mark II

The Canon MP-E 65mm macro lens can be set for magnifications ranging from 1x to 5x. The following example shows the lens set for 3x.

Screen capture used with permission from Rik Littlefield.

DoF: 0.12251 mm (122.51 microns)
Step size (suggested) at 20% overlap: 0.098008 mm (~98 microns)

Remember, each increment on the NiSi NM-200 manual focus rail is equal to 10 microns. For my Canon MP-E 65mm macro lens set for 3x magnification, I would turn the adjustment knob nine increments between shots — equal to a distance of 90 microns (rounded down from ~98 microns).

Related Resource

What if you don’t know the magnification of the macro rig you’re using? Or maybe you add an extension tube and/or close-up filter to a 1x macro lens — how does that change the magnification of the lens?

How to measure magnification provides photo-illustrated step-by-step directions, including sample math calculations.

The Backstory

I have been working behind the scenes trying to figure out how to determine focus bracketing step size for a variety of macro photography gear that I own. I have tested many depth of field – step size calculators and all of them are fatally flawed in one or more ways except for the one in Zerene Stacker.

See How to calculate step size for a long thread of posts related to my search for the answer to what turned out to a more complex process than I imagined. Thanks to the many members of photomacrography.net, especially Rik Littlefield, who kindly and patiently answered all of my questions.

Copyright © 2023 Walter Sanford. All rights reserved.

Fujifilm/Fringer/Canon MP-E 65mm macro lens

September 9, 2022

In a recent blog post I mentioned that I was looking forward to testing the Fringer EF-FX Pro II lens mount adapter with my Canon MP-E 65mm Macro lens.

The MP-E 65mm doesn’t have a ring for focusing on the subject — you set the magnification ratio (from 1x to 5x) and move the camera/lens rig back and forth until the subject is in focus. For all photos, I focused on one eye of the model.

Dimetron

The first studio model is a toy Dimetron, photographed at a magnification ratio of 1:1. The toy is ~3.6 cm (~36 mm) long. The size of the APS-C sensor in the Fujifilm X-T3 is 23.5 mm x 15.6 mm. At 1x magnification, the entire length of the toy doesn’t fit on screen.

Dimetron toy | 1:1 magnification | 1/16 flash power ratio

With the camera/lens set for the same f/stop, shutter speed, and ISO (f/5.6, 1/250 s, and 400, respectively), less light reached the sensor when the magnification ratio was increased from 1:1 to 2:1. So I increased the flash power ratio by one stop, from 1/16 power to 1/8 power.

Dimetron toy | 2:1 magnification | 1/8 flash power ratio

Triceratops

The last studio model is a toy Triceratops, photographed at a magnification ratio of 1:1. The toy is ~4.3 cm (~43 mm) long.

Triceratops toy | 1x magnification | 1/16 flash power ratio

As with the first model, when the magnification ratio was increased from 1:1 to 2:1 it was necessary to increase the flash power ratio by one stop.

Triceratops toy | 2x magnification | 1/8 flash power ratio

Gear Talk

The Fringer EF-FX Pro II lens mount adapter enables one to mount Canon lenses on Fujifilm X-Series digital cameras. As you can see, my Canon MP-E 65mm macro lens works well with the Fujifilm X-T3 camera.

The APS-C sensor inside the Fujifilm X-T3 digital camera has a crop factor of 1.5x, so the Canon MP-E 65mm macro lens has a focal length of ~98mm (35mm equivalent) when mounted on an X-T3. The net result is an increase in apparent magnification, …

Post Update Update

Just because something looks like a duck and seems to act like a duck doesn’t mean it’s a duck. And so it is with the Fringer EF-FX Pro II lens mount adapter — although it looks like an extension tube, it isn’t. Why was I deceived by its appearance? Because I didn’t understand something called “flange focal distance.”

For an interchangeable lens camera, the flange focal distance (FFD) … of a lens mount system is the distance from the mounting flange (the interlocking metal rings on the camera and the rear of the lens) to the film or image sensor plane. This value is different for different camera systems. Source Credit: Flange focal distance. Wikipedia.

For example, the FFD for Canon EF-mount is 44 mm and the FFD for Fujifilm X-mount is 17.7 mm. In order to make a Canon EF lens perform properly on a Fujifilm X-series camera body, an adapter must move the Canon lens 26.3 mm farther from the digital sensor. (44 mm – 17.7 mm = 26.3 mm)

Not surprisingly, when I remeasured the thickness of my Fringer EF-FX Pro II lens mount adapter it turns out to be closer to 26 mm than my original course estimate of 30 mm (cited below). The net result is the 17.7 mm FFD of my Fujifilm X-T3 combines with the 26.3 mm thickness of the Fringer adapter, resulting in an FFD of 44 mm — exactly the right FFD for the Canon lens to work properly on a Fujiflm X-series camera body!

It’s worth noting that “apparent magnification” is still a real thing when a camera lens designed for a “full-frame” camera is mounted on a camera with an APS-C size sensor. The image formed by the lens is exactly the same size regardless of the size of the digital sensor used to record the image, but a smaller part of the image is “seen” by an APS-C sensor than a full-frame sensor, resulting in the misperception that the image is magnified.

I hope this sets the record straight. Sincere apologies for any confusion I might have caused — I never heard of “flange focal distance” before I bought the Fringer adapter!


[Post Update: From this point forward everything I wrote is incorrect. Is my face red, or what? I’ll explain further when I have a chance to use a desktop computer to edit this post.] … although the images appear to be magnified more than can be explained by this fact alone.

In the opinion of this author, the Fringer adapter functions like an extension tube. The adapter is ~3.0 cm (30 mm) in thickness. There aren’t any optics inside the adapter but it does move the lens 30 mm farther from the camera sensor. That, my friends, is an extension tube.

I used an online, interactive Macro Extension Tubes Calculator to estimate the effect of a 30mm extension tube on photos taken with the Canon MP-E 65mm macro lens at magnification ratios of 1:1 and 2:1. The calculator shows the magnification ratio increased from 1:1 to ~1.5:1 and 2:1 to ~2.5:1 respectively.

Macro Extension Tubes Calculator | 1:1 magnification ratio

The values for “new minimum focusing distance” are in millimeters, despite the fact that the second “m” only appears when you click an insertion point in the box and scroll to the right. The values for magnification ratio seem reasonable; the values for new minimum focusing distance, not so much.

Macro Extension Tubes Calculator | 2:1 magnification ratio

[End of segment with information that is incorrect.]


Related Resources

Full-size photos of the preceding studio models are featured in the following blog posts. Those photos should help to give the reader a better sense of how much the subjects were magnified by the Fujifilm/Fringer/Canon MP-E 65mm macro lens rig.

Copyright © 2022 Walter Sanford. All rights reserved.

MYN – Eastern Amberwing exuvia (anal pyramid)

March 9, 2020

An Eastern Amberwing dragonfly (Perithemis tenera) exuvia was collected by Joe Johnston on 07 August 2019 along Aquia Creek at Channel Marker No. 34, Stafford County, Virginia USA.

The specimen is probably from either Family Corduliidae (Emeralds) or Family Libellulidae (Skimmers).

The rule of thumb for differentiating Corduliidae exuviae from Libellulidae is as follows: It’s probably Corduliidae if the cerci are at least half as long as the paraprocts; it’s probably Libellulidae if the cerci are less than half the length of the paraprocts.

65mm (3x magnification) | ISO 100 | f/8 | 1/200 s | 0 ev

Look closely at the full-size version of the preceding photo, showing a close-up of the anal pyramid at 3x magnification. Notice the cerci are approximately half as long as the epiproct and slightly less than half the length of the paraprocts. It’s a close call, but the latter field mark indicates Family Libellulidae (Skimmers).

A step-by-step identification guide (to the species level) will be published in a follow-up post. Stay tuned!

Related Resources

Copyright © 2020 Walter Sanford. All rights reserved.

Composite image: “Generic Gomphid” (face)

February 27, 2019

larva/nymph in the Family Gomphidae (Clubtails) was collected by Bob Perkins from the New River in southwestern Virginia. The larva died before it metamorphosed into an adult.

“Generic Gomphid” larva (preserved specimen) | New River, VA USA

An Ashy Clubtail dragonfly nymph was also collected by Bob Perkins. (The date and location where the specimen was collected are unknown.) The nymph was reared in captivity until it emerged on 21 March 2017 and metamorphosed into an adult female. This specimen is the exuvia from the nymph.

Although face-head of the “Generic Gomphid” and Ashy Clubtail look similar, they aren’t identical. More later after the specimen is keyed out carefully.

Related Resources

Tech Tips

13 photos were used to create the focus stack of the “Generic Gomphid.” A single focus point was positioned over select anatomical features; photos were taken at each point of interest.

The following equipment was used to shoot the composite image of the “Generic Gomphid”: Canon EOS 5D Mark II digital camera, in manual mode; Canon MP-E 65mm Macro lens (set for f/11 at ~2.5x); a Canon MT-26EX-RT Macro Twin Lite set for “Master” mode, and a single external flash set for “Slave” mode — a Godox TT685C Thinklite TTL Flash fitted with a Lastolite Ezybox Speed-Lite 2 flash modifier.

Auto power-off was disabled for the camera and external flash units.

Adobe Photoshop CC 2017 was used to create the focus stack, as well as spot-heal and sharpen the final output.

Copyright © 2019 Walter Sanford. All rights reserved.

“Generic Baskettail” (definitely not a Cruiser)

February 18, 2019

larva/nymph in the Family Corduliidae (Emeralds) was collected by Bob Perkins on 02 December 2017 from a pond in Orange Park, Florida (USA). The larva died before it metamorphosed into an adult.

As you can see by looking at a close-up image of the face-head at 3x magnification, there is no horn on the face of the specimen. Therefore this individual is not a member of Family Macromiidae (Cruisers), as I speculated in my last blog post.

“Generic Baskettail” larva (preserved specimen) | face-head

Knowing the limits of our expertise

Although I still need to key out the specimen carefully, at this point I’m certain Bob is correct — the larva is a member of the Family Corduliidae (Emeralds). The question that remains unanswered is “Which genus/species?” We may never know the answer, as Bob and I have reached the limit of our experience and expertise.

I did a quick scan of Paulson’s [book], looking at the Emerald Family. Here, according to the range maps, are the possibilities for Orange Park [FL]. I believe you can see why I stopped at “generic basketttail.” Source Credit: Bob Perkins.

What do you think the identity is? Most of the items in the preceding species list feature links to photos of odonate larvae/exuviae. See the links to BugGuide from the scientific names in the list.

Related Resource: Test shots: “Generic Baskettail?”

Tech Tips

Four (4) photos were used to create the preceding focus-stacked composite image. A single focus point was positioned over the face, between the antennae. At a magnification ratio of 3:1, it’s difficult to manually focus on a single point — the slightest movement around the macro rig changes focus unintentionally. A simple work-around for this problem is to take several shots of the same focus point and create a composite image of the photos.

The following equipment was used to shoot the preceding composite image: Canon EOS 5D Mark II digital camera, in manual mode; Canon MP-E 65mm Macro lens (set for f/16 at 3x); a Canon MT-26EX-RT Macro Twin Lite set for “Master” mode, and a single external flash set for “Slave” mode — a Godox TT685C Thinklite TTL Flash fitted with a Lastolite Ezybox Speed-Lite 2 flash modifier. A Sunpak LED-160 Video Light was used to add fill light to the top of the subject.

Auto power-off was disabled for the camera and external flash units.

Adobe Photoshop CC 2017 was used to create the focus stack, as well as spot-heal and sharpen the final output.

Copyright © 2019 Walter Sanford. All rights reserved.

Composite image: Progomphus obscurus exuvia

February 4, 2019

The following focus-stacked composite image shows the exuvia from a Common Sanddragon (Progomphus obscurus) larva that was collected and reared by Bob Perkins.

I have 10s, maybe 100s, of Common Sanddragon exuviae in my collection, but have never seen one cleaner than this beautiful specimen. I didn’t realize P. obscurus larvae are so hairy!

Related Resource: More composite images: P. obscurus exuvia.

Tech Tips

11 photos were used to create the focus stack. A single focus point was positioned over select anatomical features, working from back-to-front; photos were taken at each point of interest.

The following equipment was used to shoot the preceding composite image: Canon EOS 5D Mark II digital camera, in manual mode; Canon MP-E 65mm Macro lens (set for f/11 at 3x); and Canon MT-26EX-RT Macro Twin Lite set for “Master” mode, and several external flashes set for “Slave” mode including Canon 580 EX- and Canon 580EX II Speedlites and a Godox TT685C Thinklite TTL Flash fitted with a Lastolite Ezybox Speed-Lite 2 flash modifier.

Auto power-off was disabled for the camera and all external flash units.

Adobe Photoshop CC 2017 was used to create the focus stack, as well as spot-heal and sharpen the final output.

Copyright © 2019 Walter Sanford. All rights reserved.

Test shot: Cordulegaster sp. larva

February 1, 2019

Bob Perkins collected and reared a larva/nymph from the Family Cordulegastridae (Spiketails). The larva died before it metamorphosed into an adult.

Test shots of this beautifully preserved specimen (Cordulegaster sp.) were taken using a relatively small aperture of f/16 for greater depth of field. The following photo is a “one-off,” that is, not a composite image.

Cordulegaster sp. larva (preserved specimen) | face-head

Odonates are aquatic insects. They spend most of their life as larvae that live in water; this stage of their life cycle can last from a few months to a few years. Finally, they emerge from the water and metamorphose into adults in order to reproduce; their offspring return to the water and the cycle begins again.

Most larvae go through 10-13 stages of development known as “instars.” The author lacks sufficient experience to identify the instar of this specimen, although it appears to be one of the later stages.

Related Resources

Tech Tips

The following equipment was used to shoot the preceding photo: Canon EOS 5D Mark II digital camera, in manual mode; Canon MP-E 65mm Macro lens (set for 3x); and Canon MT-26EX-RT Macro Twin Lite set for “Master” mode, and several external flashes set for “Slave” mode including Canon 580 EX- and Canon 580EX II Speedlites and a Godox TT685C Thinklite TTL Flash fitted with a Lastolite Ezybox Speed-Lite 2 flash modifier. A Sunpak LED-160 Video Light was used to light the underside of the white plastic posing “stage.”

Auto power-off was disabled for the camera and all external flash units.

Adobe Photoshop CC 2017 was used to spot-heal and sharpen the final output.

Copyright © 2019 Walter Sanford. All rights reserved.

Top 10 Photos of 2018

January 2, 2019

The following gallery shows 18 finalists for my “Top 10 Photos of 2018.” The photos are presented in reverse-chronological order beginning in September 2018 and ending in February 2018.

As you will see, I declare 2018 is/was unofficially “Year of the Sable Clubtail (S. rogersi).”

No. 1

20 SEP 2018 | Fairfax County, VA | Pandora Sphinx moth

No. 2

23 AUG 2018 | Occoquan Bay NWR | Osprey (male, plus prey)

No. 3

No. 4

No. 5

No. 6

05 JUL 2018 | Fairfax County, VA | Sable Clubtail (female)

No. 7

No. 8

No. 9

12 JUN 2018 | Fairfax County, VA | Sable Clubtail (male)

No. 10

08 JUN 2018 | Fairfax County, VA | Sable Clubtail (male)

No. 11

06 JUN 2018 | Northern Virginia | Gray Petaltail (male)

No. 12

No. 13

No. 14

No. 15

No. 16

No. 17

No. 18

Editor’s Note: The following location codes are used in some photo captions, shown above.

Copyright © 2019 Walter Sanford. All rights reserved.

New odonate exuviae in 2018 (by family)

December 26, 2018

2018 is the year I got serious about macro photography of odonate exuviae. I bought lots of new photography gear and spent hours learning to use it, and spent more time refining my workflow for creating focus-stacked composite images.

I am blessed to have several mentors who have patiently taught me a lot about identification of odonate exuviae, and many friends who have kindly collected and shared specimens with me. Sincere thanks to Sue and John GregoireRichard OrrMichael PowellBob PerkinsMike BoatwrightAndy Davidson, and Joe Johnston.

Dragonflies (Order Anisoptera)

Family Aeshnidae (Darners)

Boyeria vinosa exuvia (Fawn Darner)

Family Cordulegastridae (Spiketails)

Family Corduliidae (Emeralds)

Family Gomphidae (Clubtails)

Family Libellulidae (Skimmers)

Family Macromiidae (Cruisers)

Family Petaluridae (Petaltails)

Damselflies (Order Zygoptera)

Family Calopterygidae (Broad-winged Damselflies)

Related Resources: Odonate Exuviae.


Next post: New Life List additions in 2018 (odonates).

Copyright © 2018 Walter Sanford. All rights reserved.

Do-over

October 24, 2018

The Backstory

An Ashy Clubtail dragonfly (Phanogomphus lividusnymph was collected by Bob Perkins. (The date and location where the specimen was collected are unknown.) The nymph was reared in captivity until it emerged on 21 March 2017 and metamorphosed into an adult female. This specimen is the exuvia from the nymph. P. lividus is a member of the Family Gomphidae (Clubtails).

A focus-stacked composite image was created from 39 photos focused on the face and head of the exuvia. I had relatively little experience using Adobe Photoshop to make focus stacks when I created the first iterations of the Ashy Clubtail composite image. I was never satisfied completely with the final output, so I decided to do a do-over.

After…

The updated version of the composite image was created using my “Latest focus stacking workflow.”

Before…

The version that I published in late-March 2018 was created using the RAW photos (CR2) from my Canon digital camera, without any post-processing. I tried to adjust the white balance and color palette of the resulting composite image, but was unable to get the “look” I wanted. The image is probably over-sharpened too.

Which version do you prefer?

I know the version I like more. Which do you prefer, After or Before?

Tech Tips

The preceding images are composites of 39 photos taken using the following equipment: Canon EOS 5D Mark II digital camera, in manual mode; Canon MP-E 65mm Macro lens (manual focus only, set for 3x magnification); and Canon MT-26EX-RT Macro Twin Lite set for “Master” mode, and Canon 580 EX- and Canon 580EX II Speedlites set for “Slave” mode.

Adobe Photoshop CC 2017 was used to focus stack the photos and post-process the final output.

According to the “Focus Stacking Step Size Calculator” embedded in the “Focus Stacking” Web page, the “safe step size” is 0.213 mm for an aperture of f/11 at 3x magnification using a full-frame DSLR. That’s right, 0.213 mm! The safe step size is the incremental distance at which the in-focus areas of two photos overlap. The ruler on the inexpensive focus rail that I use is marked in millimeters only, so I attempted to move the focus rail in tiny increments in two passes: one pass moving from front-to-back; and a second pass from back-to-front.

Copyright © 2018 Walter Sanford. All rights reserved.